Slide Show 9 Photos A Fervid Experiment Recalled A Fervid Experiment Recalled CreditMary Brett/Black Mountain College Museum + Arts Center Collection In the annals of 20th-century American art, few legends loom quite as large as that of. Founded in 1933 by the classics scholar John Andrew Rice and the engineer Theodore Dreier, it was a progressive institution based in Black Mountain, a small North Carolina town that aimed to place art making at the heart of a liberal arts education. That same year, the Nazis forced the closing of another grand experiment, Germany’s Bauhaus school, prompting many of its teachers and students to decamp for the United States.

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Several landed at Black Mountain, most prominently Josef Albers, who was chosen to lead the art program, and his wife, Anni, who taught textile design and weaving. Under Albers, whose course on materials and form was one of only two requirements (the other was a class on Plato), Black Mountain soon became known as a kind of Shangri-La for avant-garde art. Former Bauhaus instructors and students like the architect Walter Gropius and the stage designer Xanti Schawinsky taught there, alongside American artists like Jacob Lawrence and Robert Motherwell, and, at one time or another, the student body included Cy Twombly and Robert Rauschenberg, who later became titans of modern American art. Merce Cunningham’s dance company was founded at the college; Buckminster Fuller, also on the faculty, completed his first large-scale geodesic dome there in 1949; and Black Mountain was the site of what some regard as the first happening, mounted in 1952 by the composer John Cage. Free Iptv Hack. The school closed in 1957, some years after Albers left to direct the first design department at Yale. But since 1993, another experimental institution, the, has kept its flame alive.

In a storefront in downtown Asheville, a short drive from the old campus, it organizes talks, exhibitions, performances and an annual in which scholars (and sometimes practicing artists) examine the college’s legacy. This spring the museum is also embarking on an expansion that will more than double its current size, to 2,900 square feet. The original gallery space, remodeled to incorporate a study center, reopened in January with a show covering 30 decades of “poemumbles” (daily poems and drawings) by a Black Mountain alumna, the painter Susan Weil. In June the museum plans to open a new gallery space across the street with a historical exhibition, “Something Else Entirely,” which will examine the making of the 1965 Fluxus mail-art book “,” by Ray Johnson, another former student, using films and some collages.